Discover your style

Locking

Locking moves like a joke with excellent punctuation: a fast sentence, a sudden lock, a point at the audience, and a broad smile built on precise technique.

Dance guideBy Noriu ŠoktiPublished 2026-10-01Updated 2026-10-02
In this article
  1. Your first class
  2. Origins and community
  3. Movement to notice
  4. Listen to the music
  5. Choosing a class
  6. Approaches and next steps
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01

Your first class

Start with the point, pace, up lock, lock, and wrist roll. Keep the groove and combine a few foundations in fresh ways.

Record short attempts and seek a live community. A credible teacher corrects foundations, explains funk music, and stops humour from becoming a random collection of gestures.

Try one short phrase: move with the funk pulse, stop cleanly, point in a direction and return to the rhythm. Play the same track again and change only where you stop. The timing itself can carry the humour.

02

Origins and community

Locking formed in late-1960s Los Angeles. Don Campbell turned accidental stops into the language of Campbellocking, while The Lockers gave it a vivid group identity on television and stage.

Damita Jo Freeman, Tony Go Go Lewis, and others show a history wider than one name. Teachers and family lineages later carried the form to Japan, Europe, and beyond.

The Campbell family timeline of Campbellocking follows the dance in Los Angeles and its travel through television and group performance. A teacher's lock comes with people and places; ask whose version you are learning.

Culture and community

Juste Debout shows an international stage. In a local circle, practise supporting other dancers and responding to an audience.

Watch how a dancer addresses an audience before and after a movement. Locking can use silence, a sudden stop or a playful reply to someone in the circle. Practise that exchange as deliberately as the arm technique.

03

Movement to notice

The contrast of a lock

A sharp stop works when free groove comes before it; keep the groove alive between poses.

Tony GoGo — WDC 2017 judge demo

In Tony GoGo’s performance, watch the contrast between loose groove and a sudden lock.

nekomon1Open the original source ↗
Go Go Family — Tony GoGo, Rei and Yuu

In this judge demo, notice how a stop becomes a rhythmic idea.

TeamSKIPtvOpen the original source ↗
Go Go Brothers Guestshow

The Go Go Brothers show how shared timing and individual character can coexist.

Jay_7o2Open the original source ↗

04

Listen to the music

A funk accent gives a sudden stop its point. Loose groove gives each lock energy.

05

Choosing a class

Questions to ask

  • How do you teach a sudden lock after a loose groove?
  • Which funk recording will help us hear the accent and pause?
  • Where can students practise safely after class and learn more about this style's music and community?

06

Approaches and next steps

Related optionPopping

Locking stops broad movement in a clear pose and often addresses the audience. Popping uses brief muscular contractions, isolation, and illusion.

Related optionHip-Hop

A Hip-Hop class may include many later groove and choreography practices. Locking is a specific Los Angeles funk tradition with names, music, and its own vocabulary.

Where to learn

Filter studios ↗

Teachers

Teaches in: Vilnius

Emilis Pilionis

Emilis Pilionis (Lime / DJ Lime) is a Vilnius-based DJ and music producer with experience as a dancer, choreographer and teacher. He started dancing at five and has focused mainly on House since 2011.

HouseLocking
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