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Ballet

Ballet begins with support: the foot meets the floor, posture leaves room to breathe, and movement follows a musical phrase. Learn how to start at the barre and what to notice in a first class.

Ugandan ballet dancer Kisakye Jethro balances at the barre, with his pose reflected in a mirror.
Kisakye Jethro warms up at the barre before training in Uganda. The mirror shows direction and posture from another angle. Timothy Akolamazima · Wikimedia Commons ↗ · CC BY-SA 4.0 ↗ · Photo adapted for this page.
Dance guideBy Noriu ŠoktiPublished 2026-10-01Updated 2026-10-06
In this article
  1. Ballet history and stage language
  2. Support, direction and music
  3. Music in a ballet class
  4. Your first ballet class
  5. Classical and other paths
  6. Choosing a ballet class
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01

Ballet history and stage language

Ballet grew from European court dance. The Australian Ballet traces its path from Renaissance Italy through the French court to the theatre stage. Music, costume and who could take the stage changed over centuries.

Louis XIV founded the Royal Academy of Dance in France in 1661. The Paris Opera Ballet School history follows later professional training. Many terms heard in class today remain French.

An 1831 portrait of Marie Taglioni from The Musical Gem.
Marie Taglioni in an 1831 portrait, a year before the premiere of La Sylphide. Her story leads into ballet’s Romantic theatre world. The Musical Gem, 1831 · Wikimedia Commons ↗ · Public domain ↗ · Unknown artist · Image adapted for this page.

In Paris in 1832, La Sylphide audiences saw Marie Taglioni create an illusion of weightlessness. The Australian Ballet’s history shows how pointe work and softened arms became part of a supernatural character’s story.

Culture and community

On stage, a line of movement can look effortless. Behind it sits repetition: a small barre exercise prepares a dancer for a longer phrase. Watch the support under the feet, the path of the arms and the direction of the gaze. The same step can feel different when the music slows or the dancer holds still for a moment. At a performance, notice how dancers begin together and how a musical pause changes the scene.

A ballet class is shared work too. Dancers make space for one another, listen to corrections and repeat movement at different speeds. In a beginner group, look for a teacher who explains each task, welcomes questions and adapts movement to different bodies.

02

Support, direction and music

Plié

Bend the knees in line with the feet, keeping the heels grounded where the movement allows. Feel how the bend prepares the next step.

Port de bras

Let the arms change position with breath and music. Keep the shoulders free and notice how the arms support direction.

Centre practice

Without the barre, notice the weight over the foot. Start small and find a clear ending before the next phrase.

A Royal Ballet class

Watch how barre work moves into centre practice. Pick one foot or arm movement to recognise in your own class.

The Royal Ballet and OperaOpen the original source ↗
03

Music in a ballet class

Music gives a ballet exercise a beginning, a path and an ending. This orchestral recording is a listening example; a teacher may use piano or other music in class.

Spotify may play a preview here. Use the Spotify icon to open the track.

Swan Lake: Act I, CodaMariinsky Orchestra

Hear how short musical accents invite clear starts and endings to a movement.

04

Your first ballet class

A first class often starts at the barre. It helps you notice how the knees bend and weight shifts while the feet stay grounded. Wear clothes that let you move, and check the class description for shoe requirements.

After the barre, movements may move to the centre. Repeat a simple step and listen for the start and end of a musical phrase. The Royal Academy of Dance groups children by age and learning stage. If you are starting as an adult, look for a class marked beginner.

Notice the direction of your feet and knees as you shift weight. Use a range that feels comfortable. If an exercise hurts, stop and tell the teacher. Support and music give you enough to explore in a first class.

05

Classical and other paths

Portrait of Katherine Dunham in 1940.
Katherine Dunham, 1940. Compare this jazz-theatre body line with ballet’s arabesque and arm positions. A neighbouring class brings different music, use of weight and expression. Carl Van Vechten · Wikimedia Commons ↗ · Public domain ↗

Classical technique

Steady barre and centre practice develop balance, direction and musical phrasing.

Stage and story

In a performance, movement, music and design shape relationships between characters. Watch how choreography tells a story without words.

Explore a different dance

Character Dance

Character Dance adapts regional dance motifs for the ballet stage. Ballet class first teaches codified technique used across a wider repertory.

Contemporary

Ballet more often seeks verticality, clear positions, and leg turnout. Contemporary may choose weight, floorwork, a task, or the deliberate breaking of form.

06

Choosing a ballet class

  • Choose a group for your or your child’s age and experience. Adults starting ballet should look for a clearly named beginner class.
  • During a trial, notice whether the teacher explains positions, helps with corrections and adapts movement to the learner.
  • Before the class, check footwear and clothing requirements and whether your existing exercise clothes are suitable for a first visit.

Our catalogue does not currently list where to learn Ballet in Šiauliai.

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